 |
"My vision is for every glass to be different. The threads in
the bowl of the glass are like blades of grass, blowing in the wind
and growing wild."
After studies in ceramics at the National College of Arts, Crafts
and Design, Anna Ehrner moved directly to Smaland and, in 1974, began
work as a designer at Kosta Boda. In recent years she has also taken
time off to teach design at her old College. Kosta, however, remains
her base, and it is here that she has a studio in bright, spacious,
premises just a coupe of minutes from the blowing room and engraving
shop.
Anna loves experiment and is drawn to explore the furthest limits
of glassmaking techniques. Working with master glassmakers,
mould-makers and engravers, is very important for her. She stresses
that collaboration between product developers, technicians, craftmen
and desigers is essential to her art and gives her the freedom she
needs to explore her ideas. For Ehrner, the final objective is almost
always a synthesis between function and elegance of design, even
though the final piece may be years in the making.
For many years, black was Anna's favourite colour. During the
nineties, however, other colours began appearing in her palette,
praticularly green in all its shades. Today, veils have become very
much her personal trademark.
|
 |
ORREFORS INGEGERD RÅMAN MARTTI RYTKÖNEN JAN JOHANSSON KJELL ENGMAN ANN WAHLSTRÖM ANNA EHRNER ANNEE NILSSON LENA BERGSTRÖM OTHER DESIGNERS |